Glaswegian Finola Scott’s poems can be found on posters, postcards and tapestries. Her work has been anthologised in many publications including Gutter, New Writing Scotland, The Fenland Reed, Lighthouse and The Ofi Press. She was commissioned by StAnza International Poetry Festival for inclusion in a multimedia installation issued as a postcard in 2019.
Finola has read her poems as many events including Edinburgh International Book Festival, Welshpool Festival and Brantwood. She read her prize-winning chapbook poems, published by Blue Nib at the launch in Galway.
‘From tender explorations of family love to subtly phrased exposés of every kind, these vivid and surprising poems engage the reader on every level. Finola Scott is attuned to the natural world, from which she draws many of her images, but equally alert to townscape and domestic interiors. There are dazzling leaps of imagination: an artist ‘tastes wind from Africa’ on Lanzarote as he ‘waits for Franco to finish’; a woman in an antenatal clinic thinks of her pregnancy as a pilgrimage, and kisses her ‘bruised antenatal card’ like a relic. A strong sense of being alive pervades the collection, but an equal sense of the precariousness of human happiness in poem after poem balances the reader like the acrobat of the reopening poem on tiptoe between dancing and downfall.’
—A C Clarke
‘Finola Scott’s debut pamphlet showcases a bold new voice, full of grit and reality. At times experimental, at times playing with poetic tradition, these are poems of difficult tensions. Scott’s verse explores the depths of memories whilst avoiding sentimentality. It blends beauty with threat to create stark scenes of bruised women and washed sheets, queens and pirates. These are poems without pretence, unfolding lives in miniature. Scott lifts the rock, uncovering least-seen corners of the world.’