Their Lunar Language by Charlotte Eichler
A young couple wonder whether family life would be easier if they were cuttlefish. A father and daughter communicate through moths. A child embraces the power she has over creatures smaller than herself. A town finds itself at the mercy of a polar bear...
In her debut pamphlet, Charlotte Eichler explores human relationships through our ambivalent interactions with the natural world. Navigating many literal and metaphorical islands along the way, her poems form an archipelago of ideas, taking us on an unforgettable journey from the Hebrides to the Norse heavens.
‘Charlotte Eichler grabs the twisting, female narrative and confidently fits colours and stories into new bodies. These poems are almost anthropomorphic – half girl, half beast – and I'm excited to follow whatever she writes next.’ Jen Campbell
‘Their Lunar Language infolds named and imaginary, near and far-flung places. It assembles a disquieting array of feminine characters, later bringing in masculine figures of tenderness and fragility. This creates a powerful authorial perspective, not mistakable for any other voice. Brides and cuttlefish, wayward or broken forms of love, woodlands transposable with human manufacture: this is modern pastoral, not nostalgic, and well beyond the ordinary domestic lyric.’ Vahni Capildeo
In her debut pamphlet, Charlotte Eichler explores human relationships through our ambivalent interactions with the natural world. Navigating many literal and metaphorical islands along the way, her poems form an archipelago of ideas, taking us on an unforgettable journey from the Hebrides to the Norse heavens.
‘Charlotte Eichler grabs the twisting, female narrative and confidently fits colours and stories into new bodies. These poems are almost anthropomorphic – half girl, half beast – and I'm excited to follow whatever she writes next.’ Jen Campbell
‘Their Lunar Language infolds named and imaginary, near and far-flung places. It assembles a disquieting array of feminine characters, later bringing in masculine figures of tenderness and fragility. This creates a powerful authorial perspective, not mistakable for any other voice. Brides and cuttlefish, wayward or broken forms of love, woodlands transposable with human manufacture: this is modern pastoral, not nostalgic, and well beyond the ordinary domestic lyric.’ Vahni Capildeo
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