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Dressing for the Afterlife by Maria Taylor

£9.99

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Dressing for the Afterlife is a diamond-tough and tender second collection of poems from British Cypriot poet Maria Taylor, which explores love, life, and how we adapt to the passage of time. From the steely glamour of silent film-star goddesses to moonlit seasons and the ghosts of other possible, parallel lives, these poems shimmy and glimmer bittersweet with humour and brio, as Taylor conjures afresh a world where Joan Crawford feistily simmers and James Bond’s modern incarnation is mistaken for an illicit lover.

Consistently crisp and vivid, these poems examine motherhood, heritage and inheritance, finding stories woven in girlhood’s faltering dance-steps, the thrum of the sewing-machine at the end-days of the rag trade, or the fizz and bubble of a chip-shop fryer. And throughout, breaking through, is the sense of women finding their wings and taking flight - “and her wings, what wings she has” - as Taylor’s own poems soar and defiantly choose their own adventures.

 

Praise for Dressing for the Afterlife: 

"Maria Taylor's new collection is exhilaratingly bold. These imaginative poems strike at the edges of form and emotional experience to uncover glittering seams: 'Winter made me a Wall-Street crash' announces one speaker while another finds herself 'ice-skating / into someone else's life'. They are consistently surprising, a horse revealed as Dustin Hoffman, a married woman irritated at discovering Daniel Craig in her bed. It's also a beautifully structured book, the film stars who people its pages forming a cohesive gossipy backdrop. By turns hilarious and stirring, Dressing for the Afterlife is a cinematic gathering I know I'll replay again and again." – John McCullough

"Taylor’s art is surefooted, with a quiet command of line length, a gift for choosing the right detail to illuminate her slyly weighty subject matter and an unsentimental but affecting directness of address. Her poems are firmly rooted in the day-to-day complexities of familial ties and duties, but her extravagantly vagrant thought paths lure us on to follow fancy into unsettling and exhilarating territory." - Kathy Pimlott

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