An exquisite collection from a poet at the peak of her powers, A God at the Door spans time and space, drawing on the extraordinary minutiae of nature and humanity to elevate the marginalised. These poems, taken together, traverse history, from the cosmic to the everyday. There is a playful spikiness to be found in poems like 'Why the Brazilian Butt Lift Won’t Save Us', while others, such as 'I Found a Village and in it Were All Our Missing Women', are fed by rage. As the collection unfolds, there are gem-like poems such as 'I Carry My Uterus in a Small Suitcase' which sparkles on the page with impeccable precision. Later, there are the sharp shocks delivered by two mirrored poems set side by side, 'Microeconomics' and 'Macroeconomics'.
Tishani Doshi's poetry bestows power on the powerless, deploys beauty to heal trauma, and enables the voices of the oppressed to be heard with piercing clarity. From flightless birds and witches, to black holes and Marilyn Monroe, A God at the Door illuminates with lines and images that surprise, inflame and dazzle.
'The poems of Tishani Doshi’s A God at the Door operate on the grand scale, reaching for visionary responses to their often troubling subjects. They etch articulate outrage deftly on to ecological backdrops... everywhere these poems are caustic and comic in turn, “unbelted, unbuttoned”, shimmering and bright. Though “hope is a booby trap” in the war-ravaged landscapes, it is nevertheless offered up and renewed throughout this stunning and ambitious collection.' - Aingeal Clare, The Guardian
'May we always have the music and elegant fury of Tishani Doshi’s poetry.' – Fatima Bhutto
'The witty, wise and clear-eyed novelist, dancer and poet deploys both rage and sharp analysis covering issues from the precarious state of the environment to the treatment of women.' - The Guardian (Books to look forward to in 2021) on A God at the Door